The range of the performers is on full display with the small ensemble and massive cast.
The legacy of the Donnelly family has transformed from historical accounts into a captivating mythos, deeply woven into the cultural fabric of the region.
Gil Garratt, Artistic Director of the Blyth Festival says that his fascination with this local tale of Irish immigrants being murdered near Lucan in the 1840s is one that’s shared by many in the region.
The trilogy of plays, consisting of “Sticks and Stones,” “The St. Nicholas Hotel,” and “Handcuffs,” forms a multidimensional portrayal of the Donnelly family’s life. Written by James Reaney in the 1970s, these plays were groundbreaking in the exploration of Canadian stories and cultural identity – however, they have not seen a stage since their premiere.
Garratt, artistic director of the festival
The ensemble of ten performers, under the open sky of Huron County, brings to life a multitude of characters – police, clergy, neighbors, and the Donnelly family themselves.
According to Garratt, understanding our history is a pathway to comprehending our future. In a society riddled with division and fragmentation, the Donnelly story resonates as a reminder of the importance of preserving community, fostering understanding, and finding common ground.
The trilogy’s performances continue until September 3rd, offering audiences a chance to be part of a transformative theatrical experience that bridges the gap between history and myth.
You can purchase tickets online – head to blythfestival.com
Written by: B. Shakyaver